Tag: Film Critique
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âOppenheimerâ Is Ultimately a History Channel Movie with Fancy Editing
Christopher Nolanâs bio-pic is so intent on being a morality tale that it misses its protagonistâs complexity.
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âActually romantic and actually funnyâ: why When Harry Met Sally is my feelgood movie
The latest comfort movie recommendation in an ongoing series is a reminder of Nora Ephron and Rob Reinerâs landmark romantic comedy
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In Conversation: David Lynch
The director on his memoir, clues to his films, and the tastiest chips in the world.
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David Lynch obituary
US director whose wildly unconventional films burrowed into the unsavoury depths of his nationâs psyche
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The interview: David Lynch
With his enigmatic masterpieces Blue Velvet, Twin Peaks and Mulholland Drive, the director created a dark, disturbing vision of America. Now, he says, he is done with ïŹlms in favour of making art from paint, cameras and ‘toxic materials’ â and practising transcendental meditation.
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David Lynch: âYou gotta be selfish. It’s a terrible thingâ
The Twin Peaks director lives for his work. He talks about his four marriages, why explaining his films is a âcrimeâ, and what makes him a happy camper
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Tumoresque: The Films of David Lynch
âLynch must be one of the most unalloyed surrealists ever to work in the movies; his material seems to come to the screen straight from his unconscious, uncensored.â
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âMaterialistsâ Review: When Dakota Met Pedro (and Chris)
The director Celine Song follows up her âPast Livesâ with a side-eyeing update on the rom-com, starring Dakota Johnson, Pedro Pascal and Chris Evans.